Thiru Thiru Thuru Thuru has been unwittingly billed as a romantic comedy by some, but that is not the case. Yes, there is a cute couple at the core of this film, but for almost its entire running time, their relationship is portrayed as something very less. Love rarely enters the picture save for a couple of songs and a few scenes sprinkled throughout, both of which are worked out to provide some sparks and make us believe their pairing. However, the comedy portion of the film works, for the most part. Whether or not that it due to the lack of a traditional romance (something which was the downfall of this year’s Siva Manasula Sakthi), I cannot tell. Still, the light tone of the movie comes as a good welcome relief to the heavier fare we have had recently.
Thiru Thiru… is also director Nandhini’s first film, but she doesn’t bring anything new to the table. She follows the template set by V. Priya, with whom she has worked as Assistant Director, in her two movies so far – Kanda Naal Mudhal & Kannamoochi Yenada. Like the former movie, the lead pair in this film too bicker at each other and engage in meaningless fights (this is traditional in any rom-com), only to realize their true feelings at the very end. And, like both of the aforementioned films, there is an involvement of senior actors (in this case, only one) which undoubtedly works to the movie’s favour. Apart from that, the story is nothing to write home about and the way it is structured, we always know what we are in for right from the beginning.
Arjun (Ajmal Amir) works as an art director in Srinivasan’s (Mouli) ad-film company. He is very close to his boss, almost like a son; he constantly arrives late to office, lies for fun, is irresponsible in serious situations, and is irregular in almost every respect. Archana (Rupa Manjari), who works in the same company, is his polar opposite, i.e. perfect in every sense. When asked the amount of time remaining till a meeting starts, she replies with the exact time right to the minute; she likes everything to be kept organized and has hardly lied to her parents in all her life. With a lead pair like that, there is no surprise in how the film ends. So, what we have left is the situation these two are put in to provide some comic relief.
Their company is about to gain a big contract, which will definitely boost their status and also alleviate some of the boss’ problems. Obviously, trouble occurs when the baby supposed to act in the ads catches a fever forcing them to look for an alternative, or risk losing the contract. Arjun finds the perfect choice in the middle of the road, but as he is requesting the mother, she meets with an accident. It is not after everything is finalized that he finds out that the mother is missing from the hospital. Now, he, along with Archana who joins in on this seemingly wild ride, has to take care of the baby and find the parents in order to obtain their signature on the agreement.
By any measure, the film would have been very hard to recommend if not for Mouli’s involvement. A veteran of stage and film, his comic aptitude and versatility is known to everyone. As the absent-minded boss who has a hard time remembering names more than anything else, he gets the best lines and his delivery extracts every bit of comic juice out of them. In comparison, Ajmal and Rupa, as the lead pair, are more straightforward when playing their characters. I never could agree with popular opinion that Ajmal deserved his Best Supporting Actor filmfare award for Anjaathey. The complaint I had against him in that film was he was wooden in quite a few scenes. In this movie, he changes that opinion somewhat; and although the main requirement is good looks which he has, he shows a marked improvement in general, which is a good sign. Rupa shows none of the first-time jitters that plague new faces on-screen and is less inhibited than most others. For a newcomer, that is definitely heartening to see even though she isn’t stressed too much.
Thiru Thiru… has also been dubbed as one of the first fully digital Tamil films, shot completely using the Red One camera. If that is truly the case, then its effect remains largely unnoticeable to the naked eye; but the cinematographer goes a long way in maintaining the light tone of the film with bright and crisp colours. The picturization of the Jillena Veesum… song is quite good mainly due to the colourful locations on display. Mani Sharma’s music is largely forgettable, and his background score is more or less a full-on assault on our senses.
Like many similar movies, Thiru Thiru… is not going to win any awards or have an impact on the viewer. Though not all of the comedy hits the mark, and the movie shows a tendency to fall into slapstick on more than one occasion, it achieves what it sets out to do and packs a decent level of comic punch that makes for light viewing. If you have nothing else to do and decide to watch a movie for time-pass, it should be this one.