P.S.: Although I’ve tried to avoid major spoilers, Special 26 is one of those films which works better if you enter the theater with no preconceived notions. So be warned! One of the defining aspects of Neeraj Pandey’s films so far seems to be his usage of offhand shots/scenes to establish his characters. How else can you explain Naseeruddin Shah’s conversations on the phone with his wife in A Wednesday!